By Danielle Murawski
In the little make-shift church in a hamlet of Poland called Milow hung a painting; the Matki Boskiej (the Black Madonna). Upon the Russian invasion, 1939, this beloved painting was dismantled for its gold frame, only to be left by looters shredded into the smallest pieces imaginable, trampled in the mud, ready to become another lost relic amidst a world war.
But the story of the Black Madonna begins years earlier, in the 17th century. Credited with miraculously saving the Jasna Gora monastery in Częstochowa, Poland from a Swedish invasion, made the famous portrait of Mother Mary and her baby son Poland’s holiest relic.
A woman named Maria, a resident of Windsor born in 1913, grew up on a dairy farm tucked away in a corner of Milow. It is there that her family lived as any other Polish Catholics did, tending to the farm and dealing with the ridicule of non-Polish residences unhappy with the colonizing Polacks. All of this changed at the Russian invasion on the eastern front of Poland in 1939. Maria was 26 at the time, married and starting her own family with one son. The Ukranian population in the area went up in arms against the Polish community during the invasion, taking the opportunity to loot homes for whatever they could find. Milow’s community centre was one such place. Read More…





